国四虎影永久去哪里了,日韩精品电影在线一区二区,久久精品国产亚洲av蜜屁股,亚洲成年人黄色小说网站

四重奏

類型:愛情 日劇  地區(qū):法國  年份:1981 

華為云

劇情簡介

  It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.  Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.  When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."  Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.  Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.

猜你喜歡

  • HD

    瓊和約翰

  • 更新至03集

    虛擬情人

  • HD

    愛神一號粵語

  • HD

    愛神一號

  • HD

    半支情粵語

  • HD

    半支情

  • HD

    緣份粵語

  • HD

    薰衣草

  • HD

    薰衣草粵語

  • HD

    意亂情迷粵語

  • HD

    意亂情迷

  • HD

    原諒他77次

国产激情内射免费精品| 日韩一区二区三区夜色视频| 妺妺坐在我腿上下面好湿| 狠狠五月激情综合去干网| 亚洲精品国产综合一线久久| 国产熟女露脸普通话对白| 啊灬啊别停灬用力啊男男在线观看| 在线视频观看一区| 国产精品国产三级国| 亚洲女同一区二区三久久精品| av中文字幕一区二区精品久久| 一区二区三区国产l精品欧美| 欧美性爱撅臀插入啪啪啪| 爱爰哦好粗好猛操b视频| 胸大裸体美女视频| 国产精品毛片一区视频播| 激情久久久久久久久久久| 国奴精品毛片av一区二区三区| 国产亚洲一区白丝在线观看| 日本欧美人一区二区三区| 99爱国产精品免费视频| 极品一区二区三区av| 爱爰哦好粗好猛操b视频| 少妇毛片一区二区三区免费视频| 啊啊啊别操了视频| 婷婷激情五月天四房| 美国大鸡巴操逼视频| 久久久久九九九国产精品| 校花内射国产麻豆欧美一区| 伊人成人精品在线| 黄色软件大屌怒戳粉嫩小穴| 黄色软件大屌怒戳粉嫩小穴| 久久精品国产亚洲高清| 三男狂插小穴穴视频| 操逼操的翻白眼视频| 欧美另类在线观看| 国产精品免费第一区二区| 束缚久久久久久免费高潮| 婷婷6月天丁香综合在线| 日本最新免费不卡一区二区三区| 欧美日韩国产这里只有精品|