国四虎影永久去哪里了,日韩精品电影在线一区二区,久久精品国产亚洲av蜜屁股,亚洲成年人黄色小说网站

四重奏

類(lèi)型:愛(ài)情 日劇  地區(qū):法國(guó)  年份:1981 

華為云

劇情簡(jiǎn)介

  It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.  Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.  When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."  Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.  Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.

猜你喜歡

  • HD

    瓊和約翰

  • 更新至03集

    虛擬情人

  • HD

    愛(ài)神一號(hào)粵語(yǔ)

  • HD

    愛(ài)神一號(hào)

  • HD

    半支情粵語(yǔ)

  • HD

    半支情

  • HD

    緣份粵語(yǔ)

  • HD

    薰衣草

  • HD

    薰衣草粵語(yǔ)

  • HD

    意亂情迷粵語(yǔ)

  • HD

    意亂情迷

  • HD

    原諒他77次

色综合色狠狠天天综合色| 粗大长内射女人视频| 少妇毛片一区二区三区免费视频| 中文字幕乱码人妻一区二区三区| 91污在线观看一区二区三区| 色综合色狠狠天天综合色| 国产精选三级在线观看| 麻豆视频一级片在线观看| 国产一区二区三区在线观| 国产试看精品无码中| 欧洲老妇人操大逼| 日本亚洲免费不卡| 日本成人在线一区中文字幕| 国产欧美日韩一区二区在线观看| 天天舔操操操av| 欧美日韩国产这里只有精品| 日日狠狠久久888av| 日韩美女在线视频一区不卡| 彩虹网免费视频在线观看| 操女人b直播软件| 国内精品久久久久精品97| 欧美日本欧美日本区一区二| 日韩国产精品视频一区| 99久久九九爱精品国产| 91午夜福利1000集| 日韩国产精品视频一区| 精品一二三四区中文字幕| 黄色亚洲一级大片| 欧美日韩欧美国产中文字幕| 91啪国线自产2019| 天堂久久久久久久久久久| 亚洲国产综合精品 在线 一区| 亚洲欧美一区二区三区孕妇| 国产亚洲精品高清视频免费| 小穴抽插流水视频| 中文字幕亚洲精品女同一页| 国产成人精品免费视频全| 亚洲国产日韩欧美高清片| 亚洲精品伦理熟女国产| 色欲色欲色视频综合| 精品一区二区三区女性色|